Friday, 5 February 2010

Hamlet, Ophelia & Rosencrantz



The largest pieces in this set are made up of 4 pieces of card. The media includes pencil, pastel, wine and Indian Ink. I did all seven over 2 days (coffee was an important factor). I would prefer to have all my pictures bespoke framed. I know good framing when I see it and have a friend who happens to be the worlds greatest framer. I'll cream pie anybody who says he's not. But time and cost prohibit this expense, for the most part (as I might have to frame 20 or so pictures), so I use standard store bought frames at this time for shows. It won't always be that way. I also urge collectors to have the work properly framed because the frames I use are for protection really. A good frame elevates even the greatest pictures.



In the detail above you can see how wine was used in the forehead. Initially a tint to add form, once dried I went over the area with pastel and noted this translucent 'berryness' added an immediate depth. It doesn't look like the actor John Poston but it does get close to the unhinged homicidal rage he demonstrates on stage, so it is in the spirit of the play that I saw and that's enough for me at this stage. As these sketches were being created very quickly this was exactly what I wanted. I also splashed wine all over the place. You can see a drop right there to one side of Hamlet.



Similarly Ophelia (played by Laura Baranik) and Rosencrantz (played by Jim HIgh) have been tinted, most obviously in Laura's pony tale.

There are two more performances of this play that you can catch, tonight and tomorrow and I would urge anyone who has time to make a night of it. But remember, whatever city you live in, there are unexpected delights to be found in many a theatre and on most nights. There are actors doing an incredible job, night after night, and at very little cost. Go to the theatre, it's real. Most movies suck anyway and TV sucks your soul straight out, eats your time and laughs and trades you ads the while. Replenish your soul, see a play. Shut it down, get out, go, RUN...GO NOW!!!

PIcture = 6000kc (£200 - $ 313 - Euro 230) To buy email - opipop@gmail.com

ROSENCRANTZ AND GUILDENSTERN ARE DEAD
A Comedy by TOM STOPPARD
http://r-and-g-are-dead.bloodloverhetoric.com

Alfred ve Dvore, theater.
February 4th, 5th, 6th at 7.30pm

Presented by
Blood, Love and Rhetoric


Directed by Logan Hillier

Starring Matthew Blood-Smyth, Jim High, Logan Hillier, John Poston, Curt Matthews, Laura Baranik, Jeff Fritz and Beanna Lindeova
with Jan Kolar, Zuzanna Vesela, David Smejkal, Anna Ledvinka, Aneta Kolblova, Anna Vitkova and Petr Zelenka, Stanislav Benes,Emilia Diddams, Lucia Zlamalova, Vaclav Pinos

Wine in Painting.

In the image of King Claudius below, you can see where I used wine to create a shadow beneath his hat. Look also at Rosencrantz, the shadow under his neck and his hair are wine. In my next post I'll show the finished works and demonstrate how wine can be used as a base tint.

Wednesday, 3 February 2010

ROSENCRANTZ AND GUILDENSTERN ARE DEAD



I've long had an interest in dramatic and stage-like images. My series 'The Living Room Theatre' stands as an early example. A while back I put the feelers out to see if any of the theatre companies here would allow me to sit in on rehearsals for sketching purposes. Well, to cut a long story short, my friend Jim High, an English actor based in Prague, invited me to come along to rehearsals for ROSENCRANTZ AND GUILDENSTERN ARE DEAD this week. The sketches will be shown at the Alfred ve Dvore theatre for the duration of the play. Here are three in progress snaps, blurry snaps at that...finished images will come online tomorrow sometime....provided my scanner will cooperate. Wine was used as a tint in these images as well as Indian ink and pastel. More soon...




Monday, 1 February 2010

Exceed Your Vision, You Won't Believe Your Eyes.

Ok, a quick post on shoddy service in the wilds of Bohemia. Many months ago my printer began failing me.

But wait, first, do you work for Epson?…better still do you service printers and does the following sound normal to you?

As far as I'm concerned the two best technologies I've ever worked with are Apple and Epson. Both are superb, I'm a fan. The Epson printers are the best I've ever used. The two work beautifully together.



I'd recommend them to any artist or photographer. My machine has been great for 4 years but now it is perhaps time to upgrade. I tell you though, if I serviced these machines I think I'd treat them with more respect than my machine has seen and at the very least send them home no worse than they arrived in my store.

My machine has not been a work-horse, more a much loved thoroughbred and my guess was my problem was dried ink, a printhead issue, a blockage, yet despite many power cleanings the problem remained. I called the only service company I've had dealings with in Prague. I've been a customer of these people 5 years and the people I deal with at the front desk (whenever I bought ink or paper) were always pleasant enough. In fact they seemed to know me quite well and so it came as a surprise to me that they took so long to look over my machine and determine how to fix it. It took months. I called once a week.

This is the web-site. http://www.epsonhpservis.cz/

I was told they needed to conduct power cleanings of their own, this drinks ink and 2 of my cartridges were too low. So I agreed to replace 2 cartridges to allow them to do their work. Finally I was told it had not worked and new parts were required. I was asked if i had used ink other than Epsons. Answer = NO. Nor do I feed plants engine oil. The cost of Epson inks is worth the result in my opinion and I wouldn't deviate.

The ink would cost me 3600 kc. (£120) ($191)

The parts 19,960 Kc. (£663) ($1,052)

I briefly considered ways to raise the money before realising a new machine would be wiser. Probably what Epson would prefer too ; ).


With Christmas fast approaching and slow print sales I decided to wait. We've had rotten weather lately so I delayed pick up of my machine 4 times. Partly because the pavement outside the shop could hardly be walked on as nobody, neither council nor shopkeeper sees any reason to clear the mountains of snow ice and dog waste in this particular 'hood. How would I traverse this hell-foam with my massive printer? I'm not the only one wondering why shopkeepers don't clear their entrances to most here it seems a revolutionary concept...and no, they don't deliver or collect.

Last Monday I went to the shop and was appalled to find my machine lying on the ground, near the door on a wet muddy floor. The back of the machine was covered in dust and one of the electrical ports had some kind of white powder inside it. Dust and specks of stuff resting in the paper-feed. Nobody seemed to understand why that was 'not good'.

Yes my printer and a bucket, no doubt an expensive Epson bucket.

In fact they all got pretty cheeky and the manager at one point stepped into my physical space as if to make me back away, it didn't work, did I imagine that?...what have I done wrong?. But It was very strange. It was really, really very strange indeed, are you not grown ups? I told them I expected my printer at the very least to be resting on paper, something, or wrapped in plastic, but not sitting on a dirty floor.

Epson Exceeds my vision alright...I couldn't believe my eyes.

The machine cost over 2000 dollars and it's a delicate piece of kit, so in a sense they seemed to be insuring its demise by treating it badly. I guess they would have donned the white gloves if I'd bought the parts. But now I'm concerned about buying a new machine if this is the kind of service I can expect. What am I thinking, we live in Prague, a small one-horse out-post. Not a major European capitol…no, but wait - THIS IS A MAJOR CAPITOL CITY!


Snorting cocaine out of the electrical port socket maybe?...now it all makes sense!

So I should expect a standard of service. Heck I don't care if I'm in flipping Tibet, the jungles of Africa, or on the surface of the Moon- if the company sports a certificate from Epson promising quality - I should expect that standard.

Just thought we'd clip some toe-nails in there for you Mr Moore...no extra charge.

Having pointed out the certificate on the wall, the man whose name is on it seemed to come to his senses and told me to come back next day and my Epson will have been magically restored to how I'd given them it.

A magical document that seems to break the spell...


Next day I came back and my machine was wrapped in plastic. I'm not sure as It remains wrapped but it may have been cleaned, I loaded it in my car and came back to pay up for my ink, my only charge, I could not afford the new parts. I opened the box containing my ink cartridges, 6 of them were opened and empty. Ok, alright, they've performed perhaps several power-cleanings. It's a shame that no ink was left, but ok. I'll begin with a new compliment of inks, I'll plonk down 10,800 Kc (£360) ($571).


Surprise! We're empty...but we're coming home with you anyway.

Next to the 6 old inks were the two new inks that were required at the outset. Opening their boxes I found they were open to the air, and the ink all dried up. Worse…judging by weight only 15% of the ink could have been used for the power-cleaning process. It is standard practice to seal the ink-hole after removal and prior to transportation with cellophane or even tape or at the very least put the cartridge in a bag.

I'm sure the ink on the certificate is just as dry as my brand new inks.

And these were larger format inks, open to the air and completely wasted, useless. 3600 kc. (£120) ($190) down the drain…or hard-set in the cartridge to be precise.

Straight out of the box...no ink, not even hope...is Pandora in today?

I asked to speak to the manager (the space invader) Mr Vanek. But I was told he'd be back Monday, so I left the ink on the counter and left the shop completely baffled by this experience. What do I now do? I asked for an explanation and all I got was a shoulder shrug and a demand that I pay. What do I do? Is this normal Epson service?

They then threatened to withhold my printer and not give me it back. That was pretty back to front as it was already in the car. I'll pay them I guess, but I want an explanation, an apology maybe, perhaps some understanding...

Answers on a postcard, please.

Now Hannibal, How do we get to the car with all these white elephants?